When you've got art you've got voice. And when you've got voice you've got freedom.” - Richard J Frankland

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ABOUT

Singer-songwriter and proud Gunditjmara Elder Richard J Frankland is Koytpa Koy Koy Mara. A story man. An art-warrior. His songs are his weapons and depict humanistic issues relevant to the First Nation experience from past and present

Through songwriting, storytelling, community-leadership, and his award-winning films and plays, SBS Elder in-Residence Richard J Frankland has become one of Australia's most prominent Indigenous voices.

Richard has found career success as a film-maker, actor, activist and academic. In his current role as Associate Professor of Cross Disciplinary Practice at The University of Melbourne, Richard is known amongst his students as an inspiring educator and passionate leader. Through his film work, Richard has told First Nations stories from the comedic to the most harrowing with compassion and lightness of touch, picking up a slew of awards from all over the world.

Richard’s work across all disciplines continues to be informed by his time as a field officer and investigator with the Federal Royal Commission into Indigenous Deaths in Custody. It provided the subject of his award-winning 1996 short film No Way to Forget, and is at the heart of his 2024 single I See You Woman. Again, Richard has found a way to show his audience an intensely human and relatable picture of the contemporary suffering endured by our First Nations people.

However, regardless of the weight of the subject matter, and the urgency with which Richard delivers his message, it is the kindness and love at the heart of Richard J Frankland’s art that will keep listeners returning.

Think of Australia as a woven tapestry, with threads pulled apart by fear, and threads strengthened by care and kindness’  Richard J Frankland, 2026

MUSIC

Discovering Leerpeen Mara’ is a reimagining of Richard Frankland’s life map of songs, exploring the themes of his ongoing life's work. They bristle with hope for a better future. His album will be released through Dream Dealers/ MGM in July this year.

It features new songs and new recordings/ arrangements of some of Richard’s older work set to the beats of NZ DJ Quix, the extraordinary guitar work of fellow Gunditjmara man Lee Sonnyboy Morgan, the brilliant didgeridoo, sound effects and beats of Larrakia man Ash Dargan and the exquisite vocals of Nilusha. 

At the heart of Richard's musical works is wisdom and kindness. He connects his audience with resolve and hope, not hurt. To witness Richard’s live performances is to watch a charismatic frontman at the peak of his powers, staring down his audience and delivering his truth with equal parts gravitas and warmth. His voice is deep and resonant, his lyrics sparse but cutting and hypnotic.  

Stay tuned here for live dates.

 You can hear a preview of Richard’s new album below.

Film

No Way To Forget  is a short film written and directed by Richard J Frankland. It won him an AFI Award in 1996 (making Richard the first Indigenous Director to win one) and screened at the Cannes Film Festival.  It won Best Short Film & Best Sound in a Short Film at the Australian Film Institute Awards, and Richard also won Best New Director at the St Kilda Film Festival the same year.

 You can also preview Harry's War, starring Uncle Bob Maza written and directed by Richard in 1999, which won a multitude of awards, including; Best Short Film- St Tropez Film Festival ( 2000), Best Short Film/3rd Most Popular Film Overall- Black Filmmakers Hall of Fame (US) (2000), Best Short Film- Atom Awards (2000),  Best Screenplay, Open Craft Award (David Ngoombujarra) -St Kilda Film Festival (2000), Best International Short Film (Jury Award)- Hollywood Black Film Festival (2000), Best Australian Short Film- Flickerfest (2000)  Best Short Australian Film promoting Human Values – Melbourne International Film Festival (1999)

Richard also wrote and produced Who Killed Malcom Smith, which won Best Documentary at the  AFI Awards in 1993.

MEDIA

Richard appears regular on Australian TV, radio and in print. He is currently the Elder in Residence at SBS, and his powerful and moving Oration will go to air in July this year. Watch out for his interview and live performance on NITV's ‘Living Black’ in April. He will also appear on ‘The Point’ later this year on SBS.

 Below, you can watch Richard's performance of "Soldier Blue" on ABC's 4 Corners.

WORKSHOPS

Koorreen Enterprises

The brainchild of Richard Frankland, Koorreen Enterprises encompasses a range of training services for government and non-government organisations in the interest of better outcomes for Aboriginal and Torres Strait Islander Peoples through optimised relationships within and between cultures. Richard designs and delivers customised workshops and community healing programs that can provide any group, organisation or workplace with the tools for living and working together harmoniously. Underpinning every workshop or speaking engagement are the professional standards set by Koorreen Enterprises, namely The Koorreen Principles©. To find out more about The Koorreen Principles, contact elisha@koorreen.com.au

Lateral Healing

Lateral violence is endemic throughout Indigenous communities throughout the world. It is a hangover from Colonisation. It is debilitating and operates on our fears, our rage, our anger and our distrust. It promotes violence whether emotional, spiritual or physical.

"When we practice lateral violence we are committing cultural genocide on ourselves.”

Community member, Shepparton Lateral Violence workshop

 

Healing Lateral Violence

The Lateral Healing workshop is a combination of collective therapy and cultural safety. It defines culture and cultural safety as a place where one feels safe to participate in and express culture without fear, ridicule or harsh judgement.

Some of the topics covered include:

  • Cultural platform
  • Cultural safety frameworks
  • Cultural resilience and resistance
  • Re-authoring our stories
  • Externalising the problem

Lateral Healing workshops are designed for Aboriginal and non-Aboriginal communities and the medical, legal, government and education sectors. Participants will be able to see through doorways they may not have perviously considered and will be able to create, develop and implement policy to enable cultural safety frameworks. They will also gain the ability to to engage in broader Aboriginal affairs such as government agencies, organisations and communities.

“Koorreen’s mission is to strengthen community, to entertain and to educate.”

Cultural Awareness

Cultural Awareness workshops address the issue of lack of knowledge in relation to Aboriginal and Torres Strait Islander Peoples in Australia. It addresses the issue of the ‘cultural abyss’ which divides Aboriginal and non-Aboriginal cultures. It also enables participants to consider matters of culture, national identity and discrimination in ways they may not have previously done so.

We design workshops that cater to specific industries with a range of topics such as:

Legislative History

Suppression of the Aboriginal Voice

Bridging the cultural abyss

Aboriginal service men and women

Lateral Violence

Royal Commission into Aboriginal Desths in Custody

Aboriginal culture

Those who may benefit from this workshop include prison officers, teachers, health professionals, government departments, mining companies and corporate organisations.

The following comments came from participants of our Cultural Awareness workshops held at Brauer College in December, 2011:

“I have learnt that what has been and is occurring with some indigenous students & families is not personal but about cultural safety for all of us.  This has given me an awareness of issues I was not aware of and has helped me personally”

“I learnt how much I didn’t really know about the Aboriginal / Koorie Culture”

“I now have a way forward as I hadn’t before”

“Presented in a very non-threatening way which avoided people feeling the need to be defensive of white attitudes.  Anecdotal approach made it more immediate / personal.”

Collective therapy

Collective Therapy is a practice in the Arts and involves working with groups of people of all ages to write, direct, act and participate in a film, theatre or music project. It is about creating positive cultural platforms, especially for young Aboriginal and Islander Peoples.

Topics covered include:

  • Self-esteem
  • Drug and alcohol abuse
  • Identity
  • Belonging
  • Lateral Violence
  • Cyber-bullying
  • Humour
  • or topics can be introduced by participants.

Particpants go away with a reinforced identity and a possible career pathway in the Arts as well as a more informed cultural strengthening by a sense of cultural wealth.

To enquire about a workshop for your organisation, please email elisha@koorreen.com.au 

Public Speaking

Richard Frankland is a naturally engaging speaker who has addressed many national and international conferences.

He has given speeches to a variety of government departments including the Departments of Education, Human Services, and Justice. He has spoken at the Shrine of Remembrance, Multi-cultural Victoria, Melbourne Museum, the State Library and addressed a number of non-government organisations.

 

He has addressed various national conferences in relation to health, film, theatre and literature and has spoken at international conferences including the United Nations, Human Rights organisations and film, arts and music festivals around the world. Many of these have been keynote speeches. Some of the topics Richard can cover include:

  • His life and experience as an Aboriginal person.
  • Contribution of Aboriginal service men and women
  • Aboriginal Deaths in Custody
  • Aboriginal history
  • Reconciliation
  • Australian Identity

CONTACT

PR/Publicity and Music & Artistic Management -  Tracey Griffiths  tracey@kickmusic.com.au

Public Speaking and Workshops - Elisha - elisha@koorreen.com.au